Publications

SAFE project

R. Stables, S. Enderby, B. De Man, J. D. Reiss, G. Fazekas and T. Wilmering, “Semantic Description of Timbral Transformations in Music Production,” Proceedings of the ACM International Conference on Multimedia, October 2016. [ACM Digital Library]

S. Stasis, R. Stables and J. Hockman, “Semantically Controlled Adaptive Equalisation in Reduced Dimensionality Parameter Space,” Applied Sciences, Vol. 6 (4), April 2016. [html]

S. Stasis, R. Stables and J. Hockman, “A Model for Adaptive Reduced-Dimensionality Equalisation,” 18th International Conference on Digital Audio Effects (DAFx-15), Trondheim, Norway, December 2015. [pdf | bib]

R. Stables, S. Enderby, B. De Man, G. Fazekas, and J. D. Reiss, “SAFE: A system for the extraction and retrieval of semantic audio descriptor,s” 15th International Society for Music Information Retrieval Conference (ISMIR 2014), October 2014. [pdf | bib]

Intelligent audio processing

Z. Ma, B. De Man, P. D. Pestana, D. A. A. Black and J. D. Reiss, “Intelligent Dynamic Range Compression,” Journal of the Audio Engineering Society, Vol. 63 (6), pp. 412-426, June 2015. [pdfbib]

B. De Man and J. D. Reiss, “Adaptive control of amplitude distortion effects,” 53rd Conference of the Audio Engineering Society, January 2014. [pdf | bib | poster]

B. De Man and J. D. Reiss, “A knowledge-engineered autonomous mixing system,” 135th Convention of the Audio Engineering Society, October 2013. [pdf | bib | podcast]

Mix analysis

B. De Man, K. McNally and J. D. Reiss, “Perceptual Evaluation and Analysis of Reverberation in Multitrack Music Production,” Journal of the Audio Engineering Society, Vol. 65 (1/2), pp. 108-116, January/February 2017. [pdf | bib]

B. De Man and J. D. Reiss, “Crowd-sourced learning of music production practices through large-scale perceptual evaluation of mixes,” Innovation In Music II, 2016. [bib]

D. M. Ronan, B. De Man, H. Gunes and J. D. Reiss, “The impact of subgrouping practices on the perception of multitrack mixes,” 139th Convention of the Audio Engineering Society, October 2015. [pdf | bib]

B. De Man,  M. Boerum, B. Leonard, R. King and G. Massenburg “Perceptual Evaluation of Music Mixing Practices,” 138th Convention of the Audio Engineering Society, May 2015. [pdf | bib]

B. De Man and J. D. Reiss, “Analysis of Peer Reviews in Music Production,” Journal on the Art of Record Production, Vol. 10, July 2015. [html | pdf | bib]

B. De Man, B. Leonard, R. King and J. D. Reiss, “An analysis and evaluation of audio features for multitrack music mixtures,” 15th International Society for Music Information Retrieval Conference (ISMIR 2014), October 2014. [pdf | bib | poster]

B. De Man and J. D. Reiss, “A semantic approach to autonomous mixing”, Journal on the Art of Record Production, Vol. 8, December 2013. [html | pdf | bib]

Tools

N. Jillings, J. Bullock, R. Stables “JS-Xtract: A Realtime Audio Feature Extraction Library for the Web” International Society for Music Information Retrieval Conference (ISMIR 2016), August 2016. [Github | pdf]

N. Jillings, B. De Man, D. Moffat, J. D. Reiss and R. Stables “Web Audio Evaluation Tool: A framework for subjective assessment of audio,” 2nd Web Audio Conference, April 2016. [pdf | bib | githubSoundSoftware]

N. Jillings, B. De Man, D. Moffat and J. D. Reiss, “Web Audio Evaluation Tool: A browser-based listening test environment,” 12th Sound and Music Computing Conference, July 2015. [pdf | bib | github | SoundSoftware]

B. De Man, M. Mora-Mcginity, G. Fazekas and J. D. Reiss, “The Open Multitrack Testbed,” 137th Convention of the Audio Engineering Society, October 2014. [pdf | bib | poster | website]